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Eleanor Orange and the Angel Fire

7/9/2025

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An exciting fantasy adventure for kids aged 9-12, full of humour and mystery 

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​Eleanor Orange used to think that the only weird thing about her was her surname.

Then, when her parents’ physics experiment goes wrong, Ellie and her best friend Chelsy are thrown into a world of fantastical creatures and nightmarish monsters.

What has happened to the veil between the worlds? How can her aunt be in two places at once? And what is the Angel Fire, and why does the demon king Dyger want it so badly?

Full of humour, mystery, adventure - and more than a touch satirical - 
Eleanor Orange and the Angel Fire is the first book in the Eleanor Orange series by Amazon-bestselling author Matt Walker. Perfect for kids aged 9-12 - and their parents and grandparents too!

 Paperback available here for £5.99: www.amazon.co.uk/dp/B0DFTVRRYN

FREE downloads below: 100-page novel sample and comprehension questions for schools

Eleanor Orange sample
File Size: 668 kb
File Type: pdf
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comprehension questions
File Size: 341 kb
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Explaining Death To Children Without Religion - What Comes After

13/8/2025

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Explaining death to a child is one of the hardest conversations a parent can have.

For generations, many families relied on religious beliefs to offer comfort: a heaven, a next life, or a reunion with loved ones. But today, more parents than ever identify as non-religious, and those explanations may not feel authentic to them.
That doesn’t make the conversation any less important—it just means we need to find language that is both honest and gentle.

Start with what they know. Young children understand the world through patterns and comparisons. You can use nature as a guide:
  • Leaves grow green in spring, turn gold in autumn, then fall and become part of the earth again.
  • Flowers bloom, fade, and return the next year from new seeds.
  • Day turns to night, night to day.
This helps children see that change, endings, and renewal are part of life’s cycle.

One of the simplest non-religious ways to explain death is to compare it to the time before we were born.

You can say: “Before you were born, you weren’t anywhere—you didn’t feel sad or scared, you simply didn’t exist yet. When we die, it’s like going back to that. But while we’re alive, we get to love, play, laugh, and make memories.”

This explanation is honest, age-appropriate, and free from fear. Children find comfort in knowing that the people (and pets) they love live on in their memories. You might say: “When we remember the happy moments we shared with someone, in a way they’re still with us.”

This can also be an opportunity to teach values: the kindness we show in life is what people will remember when we’re gone.

I recently wrote a picture book on the subject, What Comes After, because I realised most modern parents—especially those raising young children today—are not religious. But there were very few picture books about death that explained it in a way that was truthful, gentle, and comforting without relying on an afterlife.

The story follows Little Cub, who spends one last evening with his Grandpapa Bear. Through their conversation, Grandpapa explains life and death by comparing it to nature and to the time before we are born. It’s a warm, tender tale that encourages kindness, memory, and living fully.

My hope is that What Comes After will help parents have one of life’s hardest conversations with honesty and love—and give children the tools to understand and cope with loss.

What Comes After is available now on Amazon as a beautifully illustrated paperback for £5.99.
Order your copy here and give your child a gentle, non-religious introduction to life’s biggest mystery.

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The Problem of Sleep Deprivation

25/10/2023

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The biggest issue that children and teenagers currently face is sleep deprivation. I have recently finished reading Matthew Walker’s Why We Sleep, and consider it essential reading (note that my name is also Matthew Walker, but we are not the same person, nor related).

Sleep is one of the most - maybe even the most - important factors contributing to human health, maybe even more so than diet and exercise, and this is particularly true during childhood and adolescence.

Sleep plays a pivotal role in cognitive functioning, including learning, problem-solving, and the consolidation of memories. Insufficient sleep actually impairs the brain’s ability to form new memories, and can make it difficult for children to retain the information they’ve learned during the day in school. Inadequate sleep also impairs a child’s ability to focus and concentrate, and they may be sleepy and inattentive. Unsurprisingly, this has an impact on academic achievement, and numerous studies have shown that students who get sufficient sleep generally outperform those children that do not.

Sleep also has a significant impact on regulating emotions and behaviour, especially in children and teenagers. If children do not get enough sleep, they are more likely to be irritable, quick to anger, and susceptible to mood disorders such as depression and anxiety. They are also prone to impulsive and risky behaviour and poor decision-making. Puberty is a difficult enough time anyway - for everyone involved! Lack of sleep makes the situation even worse.

This may be a little surprising, but sleep deprivation actually has a huge impact on physical health. Inadequate sleep can weaken the immune system, making children more susceptible to illness. There is also evidence that sleep deprivation disrupts the regulation of glucose and also a person’s metabolism, leading to weight gain and an increased risk of developing type 2 diabetes. In later life, it appears there is a link between sleep deprivation and Alzheimer’s - a stark reminder that everyone, not just young people, requires adequate sleep (8 hours a night is optimal).

Teenagers are not ‘lazy’ for sleeping in, nor ‘difficult’ for refusing to go to bed. A teenager needs more sleep than an adult, and their circadian rhythm starts and ends naturally later, which means their natural sleep pattern is likely 12 midnight til 10am. If you try to send them to bed at 10pm there’s a good chance they will be physically unable to fall asleep! It also shows that a school start time of 8:30am is hardly ideal.

We are unlikely to be able to push back school start times, but there are simple things that we can all do to improve our sleep:

First, download a blue light filter on your devices for evening use. Blue light affects our circadian rhythm, impairing melatonin production and making it harder to fall asleep. If possible, have an hour technology-free before bed (although I know this won’t be popular). Use dim, warm yellow light in the evenings. Read before bed, and have a relaxing bath (which will bring your body temperature down; our core temperature needs to drop in order for us to fall asleep). Make sure your bedroom isn’t warmer than 18 degrees. Avoid coffee after 12pm - in fact, children and teenagers should try to avoid caffeine altogether.

In conclusion, there is compelling evidence that sleep deprivation has a serious and long-lasting effect on children and teenagers. Inadequate sleep impairs cognitive function and the regulation of emotions, and it affects physical and mental health and academic performance. It is therefore crucial that parents, educators and young people themselves prioritise and promote good sleep hygiene.
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Audio Files for my Super Start, Super Star! series

4/10/2022

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You can hear the pieces included in my new series for kids aged 5+ below.
part_1_audio.mp3
File Size: 2473 kb
File Type: mp3
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part_2_audio.mp3
File Size: 3376 kb
File Type: mp3
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part_3_audio.mp3
File Size: 2087 kb
File Type: mp3
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part_4_audio.mp3
File Size: 2458 kb
File Type: mp3
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part_5_audio.mp3
File Size: 3789 kb
File Type: mp3
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Music Is Magic - a new series - THE SUMMONER

6/9/2022

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The Summoner sample
File Size: 3171 kb
File Type: pdf
Download File

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You are The Summoner. In your world, music is magic. In your hands, every melody is a spell.

Mirrorn is the collision between worlds - all worlds, both real and imagined - and it is under threat. A portal to the dark realm is open and evil is leaking out.

You have a choice. Do you assist the Council of Mirrorn and battle the forces of darkness? Or do you join the Night Prince and the armies of The Endless Night? You decide!

The pieces in this book are 
summoning spells. You need allies to help you in your battles, and you can summon them to your side! If you join the Council of Mirrorn you can summon such heroes as Alice from Wonderland, Tarzan, Snow White, Merlin and Thor. If you side with the Night Prince choose from a list of villains including the Wicked Witch of the West, Mad Hatter and Frankenstein's Monster!

16 original pieces (summoning spells) for easy piano - from initial to Grade 1 standard.

Learn the spell piece, summon your ally, follow the story!

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WITCH HUNT - the card game

15/11/2019

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Below are the rules to the card game I invented: Witch Hunt. Like Cluedo but with witches.

A regular deck. A random picture card is removed - the witch. Discover the witch's identity by a process of elimination. Spend points from your hand to cast spells and aid your investigations.
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Five A-list actors who impressed us with their singing ability

28/8/2019

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Movie musicals are everywhere. Disney has seemingly decided to live-action remake every one of its films, as well as bringing out new ones. And every popular stage musical looks destined for a big screen adaption.
 
Some casting choices have been... interesting. Think Pierce Brosnan in Mamma Mia! or Russell Crowe in Les Misérables. But some choices have been inspired. Here are five A-list actors who surprised us all with their singing ability.

Dwayne Johnson

Now one of the highest paid actors in Hollywood, Johnson made his name as professional wrestler The Rock with the WWF. He had his first acting role in 2001’s The Mummy Returns, but is probably best known for playing hard man Luke Hobbs in The Fast and the Furious franchise. So we were all surprised (and impressed) at Johnson’s voice when he sang “You’re Welcome”, as Maui, his character from the 2016 Disney film Moana.

Anne Hathaway

​Starring in The Princess Diaries, Brokeback Mountain, The Devil Wears Prada and The Dark Knight Rises, Hathaway won the Best Supporting Actress Academy Award for her portrayal of Fantine in the 2012 film adaption of Les Misérables. Who can forget her heart-wrenching rendition of I Dreamed A Dream (Susan Boyle who?).

Gerard Butler

As the hulky action star of Olympus Has Fallen (and its sequels), you may be surprised to learn that before his breakthrough role as King Leonidas in Zack Snyder’s historic (?) fantasy 300, Butler actually starred in the 2004 adaption of Andrew Lloyd Webber’s The Phantom of the Opera. He played the phantom, one of the most demanding roles for any tenor. Andrew Lloyd Webber has said the song The Music of the Night is the hardest he’s ever written because of its large vocal range (2 octaves, from low to high Ab).

Emma Watson

Best known for her role as Hermione Granger in the Harry Potter films, it was a surprise to find Watson cast as Belle in the 2017 adaption of Disney’s Beauty and the Beast. We might have all been a little sceptical, but she does a thoroughly decent job. She was even nominated for an Empire Award, whatever that is.

Hugh Jackman

Jackman’s singing ability should not have come as a shock – he started off in stage musicals, such as Beauty and the Beast, Sunset Boulevard and The Boy from Oz, for which he won a Tony Award. But for those of us who only really knew him as Wolverine from the X-Men films, seeing him as Jean Valjean in Les Misérables (alongside Anne Hathaway) was a surprise. He did a decent job (but does he not have a falsetto register!?) but his turn as the title role in the 2017 blockbuster The Greatest Showman really impressed us all. Listen to his range! 

And five honourable mentions...

MERYL STREEP - With 3 Academy Awards and 8 Golden Globes, Streep is considered one of the best actresses of her generation. She can also hold a tune, starring in such musical adaptions as Mamma Mia (of course), Into the Woods and Mary Poppins Returns.

JOHNNY DEPP - Known for Edward Scissorhands, Pirates of the Caribbean and Fantastic Beasts: The Crimes of Grindelwald, he actually won a Golden Globe for his portrayal of the title character in Stephen Sondheim's Sweeney Todd: The Demon Barber of Fleet Street.

AMANDA SEYFRIED - The star of Mean Girls and HBO's drama Big Love co-starred with Meryl Streep in Mamma Mia and also Hugh Jackman and Anne Hathaway, playing Cosette in ​Les 
Misérables.

EWAN MCGREGOR - McGregor's internation breakthrough came in Danny Boyle's 1996 film Trainspotting, and he is also known for playing the young Obi-Wan Kenobi in the Star Wars Trilogy, episodes I-III at the turn of the millennium. His voice really impressed us all when he starred alongside Nicole Kidman in 2001's Moulin Rouge!.

CATHERINE ZETA-JONES - Initially finding success with the British television series The Darling Buds of May and then Hollywood films such as The Mask of Zorro and Entrapment, Zeta-Jones won an Academy Award for her role in the 2002 musical Chicago. 

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What you can expect from my proofreading services

25/8/2019

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You can see above a screenshot of a sample edit. The tracked changes show up in red, with any comments in the margin.  

editing_sample.pdf
File Size: 115 kb
File Type: pdf
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editing_sample.doc
File Size: 32 kb
File Type: doc
Download File


​You can download the .doc file above and open it in Word or Pages on your Mac. Have a practise! By clicking the Review tab in Word (as in the picture above) you can accept or reject the changes one-by-one, or you can accept all changes to the document with one click. Click on the 'Accept' button, which is just right of centre in the Review tab. To accept all changes, click the arrow just below the word 'Accept' and then click 'Accept all changes in Document'.

Make sure the 'track changes' button (dead centre in the Review tab, see above) is NOT pressed/selected. If it is, everything you type will come up underlined red.

Notice the vertical lines to the left of certain paragraphs. These inform you that changes have been made to those lines of text, just so you don't miss anything.

I charge £4 per 1,000 words for a proofread (minimum charge £4). Your edited document will appear with tracked changes like the picture above. Please contact me if interested!
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Why I Offer Proofreads, Not Line Edits

22/8/2019

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There are lots of freelance editors out there. Proofreaders, copy-editors, line-editors... so much choice! Who should you go with?

Well, what's the difference?

Proofreaders analyse your manuscript for spelling, punctuation, grammar and syntax mistakes.
Copy-editors address all those errors, but also check your facts (very important for non-fiction) and consistency.
Line-editors address all of the above, but also your writing style, voice, and your story as a whole.

The other obvious concern is cost. Proofreaders usually charge between £5-8 per 1,000 words (I charge £4), copy-editors between £8-11 and line-editors from £12+. There are a couple of reasons for this. Line-editing takes longer than copy-editing, which takes longer than proofreading, but they also requires a different set of skills.

So which type of editor is right for you?

If you are thinking of submitting to literary agents (and I would absolutely recommend you do this before considering self-publishing) I do NOT think you need to pay for a line edit.

Why?

Because if you do land an agent they will then line edit your manuscript. And if they manage to sell your book to a publisher, the publishing house will then line edit it again.

Every editor has their preferred style. One editor might like your voice, or a certain character, or a plot twist, whilst another might not. One editor might think your story needs more pace, another might not.

The same with readers. Some readers will like your book. Some will not, no matter what you do to it. If you change it to suit a certain editor, the outcome stays the same: some readers will like your book, and some will not.

Changing any aspect of your story or your style to suit a specific editor is only worth doing if you know it will improve your chances of success.

If the line-editor combing through your manuscript is your agent, and you've done your research and you know they are successful in selling books to publishers, you can be confident they will add value. Also, your agent will do this for free. Your agent will know which publishers they intend to pitch to and will know (should know) what kind of stories and styles they buy.

If you do have the money to pay for a line edit and think that's the way to go, you want to find a line-editor who has a good track record helping authors get picked up by agents. Don't just look for qualifications. Experience is what matters.

Your writing style and your voice need to come from you. They cannot be outsourced. But how do you find your voice?

Write a lot. Write a lot and read a lot. It will come. There is no substitute for practise.

So. You've decided against a line edit. Why would you want a proofread?

It doesn't seem to matter how often you read through your manuscript, writers always seem to miss something. Maybe it's the wood for the trees.

Putting your finished manuscript aside for a few weeks before coming back to it does seem to help. But sometimes you need someone else's fresh eyes. I can catch those grammar slips we all miss from time to time. Point out the odd awkward phrase or that paragraph that doesn't quite make sense.

I won't tell you if I think a character is weak, or the piece needs restructuring, or it needs more pace. Why? Because that's all subjective, and I don't want to force my preferences on your manuscript. Other readers have different preferences.

So I won't tell you to change your story. But I will help you improve your writing. Grammar is not subjective. Agents will reject anything with poor grammar - don't let it spoil your chances! If you think you have a great book but know grammar is not your strong point, drop me an email. I can help.

Cost of my proofreading service is £4 per 1,000 words. I also offer a fiction submission package for £40 (cover letter, synopsis and first 10,000 words). More information here.
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10 Publishers Accepting Unagented Submissions

18/8/2019

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Most publishers require you to submit through a literary agent. That means, of course, you need to land a literary agent. We all know how hard that is. There are, however, a small number of independent publishers who do accept unagented submissions. Consider these guys.
 
HEAD OF ZEUS
HoZ won independent publisher of the year 2017, and it’s easy to see why. They publish genre fiction, children’s books and narrative non-fiction, including authors such as C. J. Box and Graham Masterton. They do accept unsolicited submissions via a submissions portal, but when it gets very busy they temporarily close. Check by periodically. Keep in mind it can take many months to get a reply. I waited six. This is their current website: http://headofzeus.com/   but they will be updating it shortly to this: https://uat.headofzeus.com/home?_ga=2.135399476.466581387.1566109317-1495559976.1561452066
 
 

JOFFE BOOKS
One of the UK’s leading independent publishers of crime, thriller and mystery fiction, Joffe Books publishes Helen H. Durrant, Joy Ellis and Faith Martin amongst others. They accept submissions from unagented authors – even if you’ve self published your book (a lot of publishers don’t).
 
Check out their submission guidelines here: http://www.joffebooks.com/submissions
 
 

BLACK AND WHITE
An independent publisher based in Scotland. They publish most genres of fiction and some non-fiction. Their children’s book imprint Itchy Coo sounds like thrush. Submissions are via a contact form, and they can take up to six months to make a decision.
 
http://blackandwhitepublishing.com/submissions
 

 
BLOODHOUND BOOKS
A leading independent publisher of crime, thriller and mystery fiction, authors include the bestselling Rob Sinclair and Betsy Reavley. Submissions close temporarily if they’re too busy. Your MS should be at least 60,000 words, and they aim to respond within four weeks.
 
https://www.bloodhoundbooks.com/submissions
 
 

POLIS BOOKS
Polis Books is currently accepting submissions of thrillers, women’s and genre fiction and non-fiction in the areas of humour, pop culture and true crime. They aim to make a decision in 12 weeks.
 
http://www.polisbooks.com/submissions/
 
 

CROOKED LANE
Founded in 2014, Crooked Lane Books publishes crime, thriller and mystery fiction. They will reply within two weeks if they’re interested in your submission.
 
http://www.crookedlanebooks.com/contact/
 
 

SEVENTH STREET BOOKS
A publisher of thrillers and mystery fiction, Seventh Street Books publishes the award-winning Lori Rader-Day and Allen Eskens. Submit the full MS and a three-paragraph synopsis.
 
https://www.seventhstreetbooks.com/submission-guidelines/
 

 
VERVE BOOKS
A small digital publisher of crime, thriller and commercial fiction. Submissions are via contact form, and they aim to reply within three months.
 
http://www.vervebooks.co.uk/submit.php
 
 

SAPERE BOOKS
A digital publisher looking for Crime Fiction, Mysteries, Thrillers, Women’s Fiction, Romantic Fiction, Historical Fiction, Action and Adventure (Military, Naval and Aviation Fiction) and History.
 
https://saperebooks.com/about/submissions/
 

 
KENSINGTON PUBLISHING
One of the top independent publishers in the United States, Kensington Publishing accepts submissions in all genres except children’s, YA and poetry. As per usual US guidelines, only submit a query in the first instance, no manuscript. They will reply within three months if interested.
 
https://www.kensingtonbooks.com/page.aspx/submissions


Best of luck with your submissions! As a thriller writer myself, I know what a daunting, frustrating, infuriating task submitting to publishers and agents is. Your initial submission, which usually consists of a cover letter, synopsis and sample chapters, needs to be perfect. Why not check out my proofreading services? £40 for a proofread of your cover letter, synopsis and first 10,000 words of your MS.

Also, be sure to check out my highly rated thrillers, MEMORIES UNSPEAKABLE and SHARK BAIT! SHARK BAIT was a finalist in A.M. Heath's Criminal Lines Competition 2015 and reached the acquisition boards of both Orion and Harlequin Harper Collins.
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